I Was The First Of My Friends To Get A Car
In the Summer of 2017, Barbour participated as a mentor in Louisville Visual Art's The Future Is Now project. For 8 weeks, artists and high school art students are paired up and work together to create a final project to be shown at KyCAD’s 849 Gallery.
This collaborative multimedia installation was created by Brittney Sharp and Barbour during this program. A special thanks to the contributions of Sarah Davis, Katy Hartman, Hayley Ray, & Noah Marples.
Statement by J. Barbour:
'With this piece, we wish to capture the experiences of when you first start traveling and moving around the world independently, specifically in cars. There is an instant joy with this newfound freedom, as well as new responsibilities. This is the period where you explore new places, and in turn, explore yourself as a person. There is a certain intimacy in cars that lends itself to profound conversations, heart to hearts, and bonding amongst friends, family, or romantic partners— this piece allows the audience to experience that closeness and sense of exploration.'
Proxy
Proxy was a dance piece by choreographer Xavier Pellin of the Louisville Ballet with set design by J. Barbour. Performed on January 31st, 2019 for Louisville Ballet's Choreographers' Showcase in partnership with Kentucky College of Art + Design.
The set design consisted of 19 Apple flat screen desktop computers connected via a 16 port ethernet swtich, all of which are playing a short film to compliment Pellin's choreography.
Statement by J. Barbour:
'Through the choreography for our collaborative work Proxy, Xavier explored the idea that the lives we portray online are a curated facade and that our society has an increasing dependency on the technology that at times isolates us. When developing the visual element of the piece, I evaluated my relationship with technology and social media through the lens of these ideas. I drew inspiration from aesthetic trends of online communities and digital art, Xavier's choreography, and the concept of the internet as a real but ethereal place that is a skewed mirror of our reality. I seek to evoke the sense of being lost in this ghostly online plane, and the feeling of the hours many of us have spent wandering aimlessly on the internet.'
Choreography: Xavier Pellin
Visuals, Set Design: Joyce Barbour
Dancers: Ellie Abbick, Kayleigh Western, and Mark Krieger
Music: Aheym by Kronos Quartet
Technical Assistance: Bob Ackerman
Foliage
Foliage was a site-specific, outdoor sound installation created under Barbour's musical moniker 'Psychic Skin' for the SONICBernheim series. The piece consisted of several mp3 player & portable speaker combos on a walking path, allowing participants to "walk through" the composition. Debuted July 9th, 2017.
Sanctuary
This installation & performance work was created for Louisville Visual Art's exhibition the Sanctuary Project. The work consisted of visual projections, music, and a live guided meditation. Performed March 3rd-4th, 2023.
Statement by J. Barbour
'Depending on your background, sanctuary can take a variety of forms. It can be a physical space, a community of supportive individuals, or a moment created for yourself. When I explored the theme of sanctuary, I imagined a space where you can be yourself fully, unhindered and unfiltered— a haven free from harmful external stimuli that invites you to rest.
I chose meditation as the foundation of this work as I view it to be a helpful and accessible tool to improve mental wellness. As a transgender person, maintaining good emotional health is vital for my well-being. This is especially pertinent considering the current socio-political climate that seeks to erase trans people through legislation, harassment, and violence. Being in such a targeted group, coupled with the complexity of the trans experience, adds excess stress that threatens my, and many other trans people’s, mental health.
My wish is that this piece will provide a temporary space to allow you to step away from everything, just for a moment, and rest.'
All photos and video by Sarah Katherine Davis